Kidoushuu Build

Spiritual Pressure [High]
Born from an unwealthy family in the Seireitei, it was his skills and determination to become strong that led him to where he was today. Boasting a modest, yet formidable amount of spiritual talent, Kenjirou is surely not the weakest, but neither is he the strongest.

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Kidou [Master]
Kenjirou is a very overzealous individual, and has pushed himself purposefully to become a Shinigami worthy of his position within the Demon Arts. Although some-- like the Juuichibantai (11th Division)-- look down upon Kidou, there are many who have lived because of their timely application, a few of those performed by Kenjirou himself. His studies have lead him to understand the Demon Arts on a level that supersedes most anyone.

Eishōhaki [詠唱破棄, Incantation Abandonment] | Intent upon mastering the use of Eishohaki, Kenjirou spent a large portion of his life not only disciplining his mind and body to make using Kido without incantation less stressful, but more rewarding. Among the legendary masters of Kido, he has the power to produce all Kido techniques without their incantation at full power. Typically he can be detected utilizing his reiryoku as if he were using the incantation, but he needn't actually say them. This makes practicing these powers in combat more viable as he needn't give his opponents such an opening to interrupt him. Kenjirou's Eishohaki is considered to be mastered, allowing him nigh the full power of most Kido, while the extremely high level ones are reduced in power lightly, barely diminished by the method.


Nijū Eishō [二重詠唱, Twofold Incantation] | When attempting to fool an opponent who couldn't possibly know the inner complexities of the Demon Arts, Kenjirou can use this method to prepare two Kidou simultaneously and even manage to fire them off back-to-back almost simultaneously. This incantation method also opens up the potential to merely hold on to almost-completed incantations and suddenly complete them after pausing merely to catch an opponent off guard.


Kōjutsu Eishō [後述詠唱, Spoken-After Incantation] | Traditionally unorthodox, this incantation style is one unappreciated by Kenjirou but not unpracticed. Although his techniques of this variety are often reduced in their strength significantly, the sudden eruption of reiryoku into the desired Kido can be quite useful and has a very low requirement of simply speaking after making the action, which upon mastering Kido can be done to further charge the technique while it is already in effect.


Perception [Master]
Kenjirou is very analytical person, and is extremely precise with his observations of the things going on around him. From the glinting of light or the movements noticed within it, to whispers made in what some may have had themelves think was silence, and even so much as the sounds, smells, or temperatures around him, he perceives most everything by the time it gets anywhere near him.


Spiritual Control [Expert]
Simply put, Kenjirou is very good at controlling his Reiatsu (spiritual pressure), concealing himself from many whose capability does not succeed his own. Even in terms of sensing other reiatsu sources, Kenjirou finds it something fairly easy for him to do, with a fair amount of efficiency. Regardless, his Spiritual Control is not necessarily the best, finding it hard to tame even his own power at times.


Houhou [Expert]
As a Shinigami, this is another important art Kenjirou has come to become proficient in by sacrificing an extreme duration of time and effort into refining his talents within it's boundaries. Finding it wise that he gets faster even yet, it's Kenjirou's aspiration to do so as to not get slaughtered by someone who simply makes him look like a sloth on the battlefield. This has further complimented, and favorably boasts his swift and lethal approach to combat as an avid Hohou user.


Zanjutsu [Practitioner]
Kenjirou has been taught how to use his sword with strong basics by well-paid Shinigami academy proctors, teaching Kenjirou to keep to the fundamentals of parrying, meaning to perceive your opponent's attack and ward it off whilst you counter with your own strike. It was a game of angles and impulse; who was faster, and who was smarter. Sometimes even the fundamentals proved more than lethal with a cunning head on your shoulders.


Hakuda [Practitioner]
Kenjirou is fairly adequate in the utilization of his body as a weapon in itself, although knowing a lot more about melee combat than having actually put any of it into practice. Regardless, he is confident that he could use Hakuda to some degree of efficiency.


Pain Tolerance [Master]
Kenjirou has pushed himself through many trials of failure within the Demon Arts (Kidou), and with them he has sustained injuries time and time again, some of which he himself could not mend or remedy, having to seek professional help many-a-times for his past afflictions. Because of this endurance, though, Kenjirou has been known to suffer the loss of limb(s), maintaining 100% consciousness and mental efficiency (also preventing unconsciousness from shock). However, that is not to say the wound(s) are not a physical hindrance to Kenjirou, and couldn't lead to death.

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KIDOU [鬼道, Demon Arts]


HADOU | Way of Destruction

Kenjirou knows all Canon Hadou 1-99.



BAKUDOU | Way of Binding

Kenjirou knows all Canon Bakudou 1-99



ZANPAKUTOU [斬魄刀, Soul-Cutter

Asauchi [浅打ち, Shallow Hit]

Kenjirou's Zanpakuto is unknown and unnamed. However, it has seemingly made attempts of contacting him, whilst he purposefully meditated to try and enter his Zanpakuto's inner world, and also during his hours of sleep when his mind is most susceptible to such influences. The handle is made of purple ray skin with black wrappings, leaving violet diamonds to decorate the hilt and a silver cap on the pommel to secure the wrappings. The tsuba is a black circle, the sheath also maintaining an ebon hue.

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