Shuuto Skills

COMBAT INFO

HIGH SPIRITUAL POWER: Shuuto possesses a respectable level of power, comparable to the average Fukutaicho; appropriate for the Sanseki of the Nanabantai, renowned for the monstrous strength of the Taicho and Fukutaicho. Shuuto’s spiritual power manifests itself as a pure white aura of luminous energy around him, perfectly spherical in shape as a testament to his control over his spirit. The more he flares his Reiatsu, the larger the area of the sphere grows.

PRACTIONER ZANJUTSU: Shuuto prefers to use his own body as a weapon, relying upon his own strength rather than any lent to him by material possessions. While forced to become somewhat proficient with weaponry to utilize his Zanpakuto to a reasonable degree, Shuuto lacks true discipline in this field and tends to disregard it as a practice. His abusive relationship with his Zanpakuto is a factor in this deficiency.

MASTERED HAKUDA: Shuuto’s body is a temple; rigorous training, dieting and meditation has led to Shuuto’s extreme proficiency in the art of hand-to-hand combat. The Monk has learned and mastered many forms of martial arts, and while his expansive knowledge and impressive technical ability do not surpass the boundaries of logical sense, his Hakuda is far beyond the capabilities for regular Shinigami.

EXPERT HOHO: Shuuto’s absolute focus on his physical excellence has expanded into his expertise in the art of Hoho, his body incredibly flexible and agile as a result of his dedication to the control of his body. He is faster than the average Shinigami, allowing him to overpower opponents with a deadly combination of astounding speed, unorthodox movements and pure strength.

EXPERT SPIRITUAL CONTROL: Shuuto’s meditative practices have given him time to look within himself and understand the very nature of his being. His obsessiveness over self-control has led him to subjugate his very essence and give him mastery over it. Shuuto’s dominance over his own inner energy manifests in his skills in Kidou, using it in conjunction with his Hakuda to develop an unpredictable and varied fighting style. Shuuto also has a large degree of control over his Reiatsu, able to hide his spiritual pressure from all but the most perceptive of sensory techniques.

EXPERT PERCEPTION: It is necessary for a fighter to be able to see weaknesses in form, gaps in armour, the signs of incoming offences. Shuuto has not neglected this important aspect of combat, having better control over his sensory functions than the average Shinigami.

HAKUDA:

Fuzen Shunko (Incomplete/Sin Flash War Cry): Fuzen Shunko is the name that Shuuto has bestowed upon his incomplete form of Shunko, imperfect as a result of his conflicting psychological state. Upon coating his body with Kido, Shuuto’s energy bursts forth in a flaring aura that clings loosely to his form, his once pure white Reiatsu growing darker as it departs from his body, becoming purely black at the perimeter. When utilising this technique, Shuuto is capable of unleashing devastating physical blows, and short ranged bursts of kinetic energy in the same vein as other forms of Shunko, along with vastly improving his physical and reaction speed. However, Shuuto’s inner disharmony has caused the technique to become inefficient, leaking energy rapidly and thus requiring more to maintain, causing it to be very exhausting to maintain for extended periods of time. However, this excessive energy output has increased the destructive force behind each blow, making it noticeably more powerful in terms of pure strength and speed.

Sazanami Tora (細波虎, Ripple Tiger): The practitioner focuses the flow of energy throughout their body, allowing them to channel the force of their blows more efficiently. Strikes performed by a practitioner of this form will deal no exterior damage, redirecting the full force of the blow beyond the surface of the target and damaging the insides directly. If striking a living target, these blows will deal tremendous damage to internal organs and bypass exterior defences such as Hierro. The user is also capable of redirecting the energy of incoming attacks as well; allowing them to mitigate damage by redirecting the force of blows away from themselves and, in some cases, back upon their attacker. This form is distinguished by its flowing, smooth, style and is generally performed from an upright position with both feet upon the ground, in order to channel the users energy properly.

Saruken (猿拳, Monkey-Style Kung-Fu): An unorthodox form of Hakuda, Saruken replicates the mannerisms of monkeys and applies them to combat situations. Practitioners of this style often make use of highly acrobatic movements such as flips, handsprings, lunges, spins and a variety of kicks and strikes aimed at the most vulnerable areas of the body: the eyes, throat and genitals. While often associated with comical performance, in the hands of an actual Hakuda master this style becomes a deadly combination of hard to predict, unorthodox, movements and ferocious offensive strikes. This form is distinguished by its feral and seemingly random movements, almost instinctive in appearance, the user generally opting to have an incredibly low stance in order to promote their mobility.

Kazaguruma (風車, Windmill): Throwing their body up into the air, the practitioner makes a shearing movement with their legs, allowing them to move one leg in front of the other, before performing a devastating kick which sends the target flying away with tremendous force.

Taketonbo (竹蜻蛉, Bamboo Dragonfly): Holding their hand out to the side, the practitioner performs a simple but effective throw, which violently flips their victim upside down. The victim lands heavily on their back, which knocks the wind out of them.

Shindou (震動, Shock): A simple, yet effective, method for Hakuda practitioners to defend themselves against armed opponents. By infusing their hand with a minute amount of Reiryoku and striking the flat of the blade with the palm or fingertips, the practitioner causes the blade to vibrate at such a frequency that it numbs the arm of the opponent, rendering it momentarily useless. This can be applied to parts of the body directly to disable them for a short period of time.

Sarutsume (猿爪, Monkey Claw): By imbuing the tips of the finger or toes with Reiryoku, the practitioner creates 6-inch long claw-like extensions of Kidou, capable of slicing through materials comparable to iron with relative ease. These are invisible to all but the masters of perception, appearing like a heat haze to those who can view them.

Taihen Sarutsume (大変猿爪, Immense/Terrible Monkey Claw): An empowered form of Sarutsume, extending the claws to a length of 10 feet, allowing for a far larger range of attack. These claws possess significantly higher cutting power, and can be released from the fingertips or toes as a fast travelling, unidirectional, ranged attack. They are identical in appearance to the original technique.

KIDOU:

Hadō #4 Byakurai (白雷, Pale Lightning): The practitioner gathers high-density spiritual energy, which he/she can discharge from both hands. Alternatively, the practitioner points at the intended target with his/her index finger and generates a concentrated bolt of lighting to use against the target.

Hadō #63. Raikōhō (雷吼炮, Thunder Roar Sear): Generating an orb of yellow lighting above the palm of his/her hand, the practitioner fires the built-up energy at his/her target as a massive concentration of energy which resembles a lightning strike. The effect has devastatingly destructive results.

Bakudō #8. Seki (斥, Repulse): The practitioner generates an orb of light blue energy which repels whatever strikes it.

Bakudō #61. Rikujōkōrō (六杖光牢, Six Rods Prison of Light): Pointing his/her index finger at the target, the practitioner generates a spark of yellow energy, which summons six thin, wide beams of light that slam into a target's midsection and hold them in place. The target is unable to move any part of their body, including the parts that were not struck by the beams.

Bakudō #62. Hyapporankan (百歩欄干, Hundred Steps Fence): Generating a blue-white glowing rod of energy in his/her hand, the practitioner throws it at the intended target. It multiplies into a hundred more rods, which rain down on the target and pin him or her against a solid surface, completely immobilizing them. It is hard to dodge in a small area.

THE GOD OF HIGHSCHOOL -jin mo-ri | iwazaru shuuto PLAYED BY JAY

MADE BY ★MEULK OF GS