Nabill Ggodsent

PERFECTED SWORDSMANSHIP| Beyond everything else, Nabil is a swordsmen. His entire life, even that of a human though he doesn’t remember it, has been dedicated around the mastery of the sword. With a unique twin-bladed zanpakutou, Nabill has created a style fluid and unpredictable, composed of thousands of pieces of human world and spiritual styles merged together. Even unconventional techniques, such as wielding the sheath or the katana by the blade, have been mastered by him. Most notably, Nabill can be found performing the “blade juggle”; a near impossible technique that involves him rapidly hitting one or more blades with one in his hand, keeping them in the air constantly. These blades can be shot like missiles at the target, or used to make unpredictable slashes. Some have even whispered having seen Nabill holding up to eight weapons using his elbows, knees, and neck. All of these unconventional styles are truly mastered by him, showing his perfected swordsmanship.

THE ART OF KILLING FLIES| The Art of Killing Flies is a technique Nabill created after pondering how to kill a hollow too fast for him to naturally keep up with. It is something only he can do, as his swordsmanship has transcended all logical boundaries. It begins by taking a stance on flat ground, drawing one of his twin katana’s, and taking a unique stance with it pointed at the target. His right hand reaches across his waist and clasps onto the other sheathed zanpakutou. After a single breath, he springs into action with sonido. The Art of Killing Flies is composed of six total slashes. While normally these slashes move extremely fast, hypersonic opponents can often dodge them. When the Art of Killing Flies is put into motion, Nabill swings so fast that his arms momentarily defy all possible logic. Essentially, all six slashes, three from each sword, occur at the same time. This creates a matrix where dodging is impossible, as they come from every angle. Additionally, moving backwards is equally futile, as Nabill continuously moves forward as he executes this technique. Thus, there are only two options to escape without being slashed to pieces. One requires incredible perception to watch Nabill’s movements, and then to dive past him the moment before he executes the six-sided slash. The other is to have incredible agility, doing the same thing before or as he slashes. The latter method is far more dangerous, however, due to the lack of incredible perception.

ZUMBIDO| Hum is a technique created by Nabill for the use on long-ranged opponents. By adding reiryoku into his blade and swinging it, he releases red slashes into the air. These slashes can be up to twenty meters in length and travel the lengths of football stadiums. Upon impact they explode; however, instead of dealing blunt trauma and burning the targets, they leave dozens of lacerations upon them. These lacerations are capable of destroying cero and tearing apart even the hardest hierro. Due to his skill with a blade, Nabill is able to manipulate the Zumbido into different forms, forcing it to curve, arch, move in circles, etc.

VAST SPIRITUAL POWER| Having been a Vasto Lorde before his final ascension, Nabill has attained a level of spiritual power that counts him one of the strongest in the known universe. His own personal brand of reiryoku, when manifested, is colorless and immensely heavy. Mirroring the grunginess of war, it wears down people who blasted by it. This causes most to feel as if they have been fighting for days on end, and causes them to suffer from weariness and exhaustion. Many have said that fighting against Nabill is like fighting against war itself, showing that he has become a force of nature on the battlefield.

HAND-TO-HAND PRACTITIONER| Nabill’s centuries of honing his swordplay has rubbed off on his hand-to-hand abilities somewhat. If disarmed, he is capable of fighting with various martial arts, though none of them are complete or mastered. Most of these require a sword to use. As a result, Nabill often uses knife hands to strike opponents, and rarely goes for straight punches or kicks, though he has been known to do so. He does not like to grapple, and attempts to avoid those situations when possible. 

MASTERFUL AGILITY| In order to make the most use of his swordplay, Nabill has become extremely acrobatic. He is capable of doing splits and contorting his body in weird ways in order to utilize extremely unconventional styles. Perhaps the most amazing feat is his sonido mastery, which borders on the impossible. It is similar to a form of teleportation. Whereas other sonido users generally simmer for a moment after use, Nabill is capable of moving nearly instantly. This feat owes itself to the fact that Nabill’s swordplay has given him near perfect reaction time. 

MASTERFUL SPIRITUAL CONTROL| Nabill’s spiritual control is born from decades of meditation after becoming an arrancar. Meditation has been a core part of him perfecting his swordplay, and as a result he has a level of self-control that few can even dream of, let alone achieve. He is capable of siphoning off the exact amount of spiritual power he needs to use, leaving none for waste. Additionally, he has complete knowledge of his reserves at all times. As such, he has never been forced to his limit in a fight, as he knows how to end one before he hits that point. 

MASTERFUL PERCEPTION| Having perfected his swordplay has given Nabill a level of perception that is nearly godlike. His pesquisa is automatic during battle, allowing him to “see” anything around him within a 360* view. Even when surrounded, Nabill has been seen blocking attacks without even looking, making it incredibly difficult to sneak up on him. He is also capable of sensing just how strong an opponent is when compared to himself, and is fairly able of telling apart who is stronger than who in a group. 

CERO| Nabill’s cero is formed along the edge of one of his zanpakutou. It is red in color, and can be formed along both blades, allowing for the possibility of both cero. Should he fire via swinging his katana, he can increase the width dramatically, up to three times the original size. These are strong enough to blow through buildings effortlessly, damaging even captain-class opponents. 

GRAN REY CERO| Nabill is capable of utilizing the gran rey cero, just as the rest of the other espada are. To do so, he bites his lip and spits on his blade before swinging it. Like his normal cero, the gran rey cero that he fires are far wider, and thus cause immense amounts of destruction. 

BALA| Nabill is capable of firing off hundreds of bala at once, generally via sword swing. 

VUELTA| Spin is a sword technique created by Nabill to deal with long range techniques. When he sees one coming, he will take both of his zanpakutou and strike the technique at an angle. This, when done with reiryoku added into the mix, creates spiritual momentum that sends the technique spinning off in a random direction. Due to his perfected swordplay, Nabill is able to send the technique back at the original caster. 

ENHANCED HIERRO| Unlike the average hierro, Nabill’s has been honed over centuries of melee combat. His skin is so hard that it is incredibly hard to cut through; most cero fail to break it, and most blades fail to cut it. Only the strongest fighters are able to wound him, and even then, shinigami have been known to need bankai to actually get past his hide. 

Resurrección 

ZANPAKUTOU NAME: Guerrero (侍の疲弊; spanish for Warrior, Kanji for Samurai of Ruin) 

ZANPAKUTOU FORM: Guerrero takes the form of two katana, both identical in appearance. Their hilts are wrapped in black fabric, and the hilts are two steel ovals. He whets the blades daily, and they never leave his side. 

RELEASE PHRASE: “Slash, Guerrero.” 

RELEASE FORM: In order to release his power, Nabill must take both zanpakutou and smash them together in front of him while stating his release phrase. This releases a massive typhoon of power, often kicking up sandstorms and blowing away weaker combatants. When the dust settles, he is revealed to be covered in a set of ornate obsidian armor, lined in ivory bone. Four katana rest on his person, two on each side. Additionally, one massive katana, one his length and with a blade three foot in length, sits before him, stabbed in to the desert. 

ABILITIES: 

HOLLOW ARMOR| The armor Guerrero provides is immensely durable. It is as tough as Nabill’s skin, providing him with an ample amount of protection. Due to this hardness, it also increases the force of his blows. A punch from Nabill in his release state is enough to shatter buildings. 

ENHANCED SPEED| While in his released form, Nabill enjoys faster running speed, sonido speed, and reaction speed. He is quicker then most combatants with his spiritual power, and able to match or even outpace some of the fastest individuals. 

FUERZA DE GUERRA| War Force is the sole named ability of Nabil’s released form. Whenever he strikes out with his massive katana, be it a stab, swing, or each a strike with the pommel, the kinetic force of the blow is multiplied several times over. This makes even the lightest strikes deadly, as they carry enough force to cleanly slice through multiple buildings and to send targets flying hundreds of yards.

Segunda Etapa

Nabill has used his Segunda Etapa once in his life outside of training. It was done in a land far away from the heart of Las Noches, to kill an army far greater than any world has ever known. No eyes have seen it. Only the Godking knows of its existence. It has been forbidden to be used within Las Noches unless the Godking’s own personal life is on the line.

It is the last means of defense.

When Nabill chooses to fully accept his hollow nature, he will take his swords, or sword if he’s already released, and shove it through his stomach. By committing the act of seppuku, the method of his original death, he will fully embrace his faith in his own power, creating a sword that could fell even gods themselves.

The explosion released when the sword is tremendous. No spiritual being can enter, no matter their power. It is a maelstrom that redirects any attacks and expands outwards for nearly five hundred meters. Anything caught within that is not captain-class is killed outright; everything else is thrown outside of the vortex like leaves on the wind. During all of this, Nabill can be heard screaming a scream that cannot come from human vocal chords. After nearly a minute of this chaos, everything settles down.

Nabill, when the dust settles, is similar yet different in anyway. His armor is gone, replaced by a new layer of skin white in color. It covers his nipples, his belly button, and the number on his back. All that is left is his hair, muscle outline, eyes, nose, and mouth. Nabill’s hollow has moved to his gut, where it openly bleeds black blood. This black blood wraps around Nabill’s lower half like hakama and flows like plasma.

Most strikingly of all is Nabill’s new set of weapons. Extending from his spine, shoulders, elbows, and knees are long black hilts. Seven line his back. With a simple tug, the swords phase through his flesh. They are made out of what appears to be some kind of obsidian, are the lengths of katana, and have a unique curve to each one. When moving through the air, they leaving a black trail.

ABILITIES:

GODBODY| The evolution of his body increases in Segunda Etapa. Nabill’s skin is so hard that it is as if he was wearing his armor a hundred times over, making it so only the strongest techniques can wound him. Additionally, he moves so fast in this form he leaves after images with his basic steps.

ESPADA QUE MATA A DIOS| Sword that Kills God is the name of the multiple blades on Nabill’s body. While in his primary release, Nabill’s massive katana absorbs and amplifies kinetic energy. In Segunda Etapa, each blade absorbs every form of energy. This ranges from thermal, kinetic, radiation, spiritual, and every single other type. This means that when the blades make contact with anything, the power released is tremendous. It is so strong that literally anything it hits is simply burned out of existence and obliterated. Nothing has ever survived a strike from these blades.